• Bio
  • Writer
  • Director
  • Audio
  • Festivals & Press
  • Development
  • Contact
Menu

Heather Taylor

Writer & Director
  • Bio
  • Writer
  • Director
  • Audio
  • Festivals & Press
  • Development
  • Contact

When do you choose to give over to creativity?

March 21, 2016

Having a free afternoon in Paris, I decided to take advantage of the day and hit up the Musee D’Orsey. It’s one of my favourites with it’s huge collection of Art Nouveau furniture and full floor of impressionist paintings.

As it was the first Sunday of the month, the gallery was free so I was able to not only get into the museum, but also see the special exhibits. The month it was: Van Gogh/ Artaud: Le suicide de la societe.

I knew Artaud through my theatre studies – he was the creator of the Theatre of the Oppressed. But I never knew of his stays in the Asylum and that while he was in there, he wrote a comprehensive essay blaming society for Van Gogh’s suicide.

Two months from now, in the anniversary of the day Van Gogh took his life in 1890. He was only 37 years old.

At 27, he decided to be an artist. Just dropped everything and started to paint. At what point does someone turn everything on its head and say I’m doing that? I’m giving up on path for another? In only 10 years, Van Gogh created a body of work now touted as genius. But maybe it wasn’t a choice. Maybe he had to.

“No one has ever written or painted, sculpted, modeled, built, invented, except to get out of hell.”
— -Artaud

With a family member supporting him, Van Gogh created the Potato Eaters – dark, morose work. And then bounced from schools until he settled in the south of France where he painted a whole bunch of sunflowers and cut off part of his ear.*

I’m always interested in how creativity plays itself out. Finds a way. Eats at your insides. Makes you restless.

I haven’t been giving time to my own creativity. In fact, I haven’t given time for me to sleep or see friends or keep fit, so it’s understandable. In a way.

I have a love/ hate relationship with what I create

The idea comes and it’s painful to get out. I procrastinate more than anyone I know (this is purely a guess). I’d rather clean the house sometimes than work on my writing or edit a film. It gnaws at my insides to even think about it.

The deep despairs followed by the high elations. The hair pulling and long walks hoping the spirit rushes through me so I can grab it by the tail and just make. But for the last few years, it’s felt elusive. I’ve crowded out my creativity and i feel an aching hole where I used to feel the passion and drive to make.

In September, I’ll be the same age as Van Gogh when he took his own life. Artaud said:

“Yes I think more than ever that it was to Dr Gachet of Auvers-sur-oise
Owed, I say, his exit from life,
For Van Gogh was one of those natures whose superior lucidity enables them, in all circumstances, to see farther, infinitely and dangerously farther, than the immediate and apparent reality of facts.”

Did he feel there was a limit to his time of creativity? 10 years was enough? Or was he so weighed down by society that he couldn’t see that one day his work would be coveted by the masses.

But still he tried. He took the leap. Picked up his trade and gave it everything he got, until he felt he couldn’t give anymore.

Do you feel you have given enough? Are you doing what you love? Have you pushed through the fear and give yourself completely to your end goal?

*This is a very truncated version of his successes and failures. See a full history of Van Gogh here.

In Culture, Thoughts
← A day of new beginningsWhy can’t it be Art if I make it for an audience →

Latest Posts

Featured
Lincoln Center: If That's What It Takes
Lincoln Center: If That's What It Takes

Performance of a poem by Heather Taylor written in response to Celine Dion’s “If That’s What It Takes” as part of Inua Ellams: Falling into You R.A.P. Party at Lincoln Center.

Read more →
Running the Show: Morwyn Brebner Showrunner of Coroner
Running the Show: Morwyn Brebner Showrunner of Coroner
Read more →
TVLand’s Younger: 4 Ways to Deepen Your Characters
TVLand’s Younger: 4 Ways to Deepen Your Characters
Read more →
Taking Space: An Interview with Tamara Jenkins, Writer/Director of Private Life
Taking Space: An Interview with Tamara Jenkins, Writer/Director of Private Life
Read more →
A NEW LANDSCAPE: Filmmaking in the Post-Truth Era
A NEW LANDSCAPE: Filmmaking in the Post-Truth Era

After the events of the last year, there is a growing realization of how polarizing people’s viewpoints are from across the country and in other parts of the world. In this time of post-truth, it’s important to be aware of your audience more than ever.

Read more →
REWRITING AS A DIRECTOR: How to Tackle the 2nd Version of Your Film
REWRITING AS A DIRECTOR: How to Tackle the 2nd Version of Your Film

There are three versions of a film: the one you write, the one you direct, and the one you edit. When you are in screenwriter mode, you don’t imagine rewriting as you paint the picture of the perfect film in your head. But once you get into the directors chair, things begin to change.

Read more →
A day of new beginnings
A day of new beginnings

It's January 1st, the traditional day of new beginnings. The start of a resolution. A promise that this year will be different. A shedding of 365 days that didn't turn out as you planned. 

Read more →
When do you choose to give over to creativity?
When do you choose to give over to creativity?

Having a free afternoon in Paris, I decided to take advantage of the day and hit up the Musee D’Orsey. It’s one of my favourites with it’s huge collection of Art Nouveau furniture and full floor of impressionist paintings.

Read more →
Why can’t it be Art if I make it for an audience
Why can’t it be Art if I make it for an audience

I am an artist. There. I said it. But I also make films and write articles for specific audiences. I told that to someone at a SXSW film drinks and they told me that thinking about an audience meant I wasn’t making art. I’m sure she would have also said if I made money, then that also wasn’t art.

Read more →
Submissions for Hurricane Sandy Transmedia Project: Stories, images and video wanted
Submissions for Hurricane Sandy Transmedia Project: Stories, images and video wanted

During Social Media Week in New York in February, Red on Black Productions will showcase the stories of New Yorkers’ experiences during Hurricane Sandy through the mobile storytelling platform, Moveable Feast.

Read more →

Powered by Squarespace